My poem "Gramarye" has been accepted by
Not One of Us. As indicated by the title, it bears some influence from Susan Cooper. The rest was influenced by anger and the sea. I am coming up on twenty-five years as a published author and it started with this pocket-sized black-and-white 'zine. I always encourage writer-type persons of my acquaintaince to send them fiction and poetry.
I regretfully conclude that I am not the target audience for Elizabeth Myers'
Mrs. Christopher (1946) when its its banger of a premise—whether the three witnesses to the shooting of a blackmailer will turn in their benefactor of a little old lady who pulled the trigger when the reward is £500—plays out as a Christian thought experiment of forgiveness and love in which there is no suspense after all except for the punch line of the verdict. Its tempted witnesses are not psychologically unbelievable and their different circumstances are drawn in well-written detail, but taken all together they feel like a rigged deck. I am not sure whether I should try the film it was adapted into, Marc Allégret's
Blackmailed (1951). On a shallower note, the
author had an incredible face in her short life. I am glad to read that she bonded with Eleanor Farjeon.
Well, actually, there are quite a few noir thrillers told from the perspective of a woman, but Elisabeth Sanxay Holding's
The Blank Wall (1947) may have been my first, too, through its screen translation of Max Ophüls'
The Reckless Moment (1949), and I like the cover choice of Jo Cain's
New York Harbor (c. 1940) a lot.